front cover of The Underground Heart
The Underground Heart
A Return to a Hidden Landscape
Ray Gonzalez
University of Arizona Press, 2002
Returning home after a long absence is not always easy. For Ray Gonzalez, it is more than a visit; it is a journey to the underground heart. He has lived in other parts of the country for more than twenty years, but this award-winning poet now returns to the desert Southwest—a native son playing tourist—in order to unearth the hidden landscapes of family and race.

As Gonzalez drives the highways of New Mexico and west Texas, he shows us a border culture rejuvenated by tourist and trade dollars, one that will surprise readers for whom the border means only illegal immigration, NAFTA, and the drug trade. Played out against a soundtrack of the Allman Brothers and The Doors, The Underground Heart takes readers on a trip through a seemingly barren landscape that teems with life and stories. Gonzalez witnesses Minnesotans experiencing culture shock while attending a college football game in El Paso; he finds a proliferation of Pancho Villa death masks housed at different museums; he revisits Carlsbad Caverns, discovering unsuspected beauty beneath the desert's desolation; and he takes us shopping at El Mercado—where tourists can buy everything from black velvet paintings of Elvis (or Jesus, or JFK) to Mexican flag underwear.

From "nuclear tourism" in New Mexico to "heritage tourism" in the restored missions of San Antonio, Gonzalez goes behind the slogans of The Land of Enchantment and The Lone Star State to uncover a totally different Southwest. Here are tourist centers that give a distorted view of southwestern life to outsiders, who leave their dollars in museum gift shops and go home weighed down with pounds of Indian jewelry around their necks. Here border history is the story of one culture overlaid on another, re-forming itself into a whole new civilization on the banks of the Rio Grande.

The Underground Heart is a book brimming with subtle ironies and insights both quiet and complex—one which recognizes that sometimes one must go away and grow older to finally recognize home as a life-giving, spiritually sustaining place. As Gonzalez rediscovers the land of his past, he comes to understand the hyper, bilingual atmosphere of its future. And in the Southwest he describes, readers may catch a glimpse of their own hidden landscapes of home.
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front cover of Understories
Understories
The Political Life of Forests in Northern New Mexico
Jake Kosek
Duke University Press, 2006
Through lively, engaging narrative, Understories demonstrates how volatile politics of race, class, and nation animate the notoriously violent struggles over forests in the southwestern United States. Rather than reproduce traditional understandings of nature and environment, Jake Kosek shifts the focus toward material and symbolic “natures,” seemingly unchangeable essences central to formations of race, class, and nation that are being remade not just through conflicts over resources but also through everyday practices by Chicano activists, white environmentalists, and state officials as well as nuclear scientists, heroin addicts, and health workers. Drawing on two years of ethnographic fieldwork and extensive archival research, he shows how these contentious natures are integral both to environmental politics and the formation of racialized citizens, politicized landscapes, and modern regimes of rule.

Kosek traces the histories of forest extraction and labor exploitation in northern New Mexico, where Hispano residents have forged passionate attachments to place. He describes how their sentiments of dispossession emerged through land tenure systems and federal management programs that remade forest landscapes as exclusionary sites of national and racial purity. Fusing fine-grained ethnography with insights gleaned from cultural studies and science studies, Kosek shows how the nationally beloved Smokey the Bear became a symbol of white racist colonialism for many Hispanos in the region, while Los Alamos National Laboratory, at once revered and reviled, remade regional ecologies and economies. Understories offers an innovative vision of environmental politics, one that challenges scholars as well as activists to radically rework their understandings of relations between nature, justice, and identity.

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front cover of The Ute Indians of Utah, Colorado, and New Mexico
The Ute Indians of Utah, Colorado, and New Mexico
Virginia McConnell Simmons
University Press of Colorado, 2000
Using government documents, archives, and local histories, Simmons has painstakingly separated the often repeated and often incorrect hearsay from more accurate accounts of the Ute Indians.
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